Unfortunately, the show is wrong, on both counts. Changing a scene from consensual sex to rape is not just a pedantic issue of accuracy—it’s a problem with story. The Daenerys Targaryen who falls in love with a man who granted her respect when no one else would is different from the Daenerys Targaryen who fell in love with her rapist. It changes that relationship. (Dany falling in love with Drogo, and calling him her “sun and stars,” makes a whole lot more sense now, doesn’t it?)
Similarly, Jaime is a figure of chivalric love in the books—despite his arrogance and ruthlessness, his devotion and sense of duty to Cersei, the only woman he has ever loved, is so fervent as to border on adoration. Admittedly, the show can’t rely on his point-of-view chapters, as the book does, to communicate that love. But given what we have seen Cersei Lannister capable of—her ex-husband is hardly the only man she’s had killed—is it even conceivable that she would stand for it? Jaime raping Cersei is a major anomaly for these two characters—even based purely on what we’ve seen in the show. It’s just not something that either character would do.
“True gender equality is actually perceived as inequality. A group that is made up of 50% women is perceived as being mostly women. A situation that is perfectly equal between men and women is perceived as being biased in favor of women.
And if you don’t believe me, you’ve never been a married woman who kept her family name. I have had students hold that up as proof of my “sexism.”
My own brother told me that he could never marry a woman who kept her name because “everyone would know who ruled that relationship.” Perfect equality – my husband keeps his name and I keep mine – is held as a statement of superiority on my part.”—
Also in a mixed-gender group, when women talk 25% of the time or less, it’s seen as being equally balanced. If women talk between 25% and 50% of the time, they are seen as “dominating the conversation.” One of the most mind-bending statistics I ever read in college.
CAN WE TALK ABOUT MIDDLE EASTERN WITCHES AND WIZARDS THOUGH. AND HOW THEY'RE SPELLS WOULD OBVIOUSLY NOT BE LATIN, GREEK OR ANGLO SAXON, BUT INSTEAD LIKE ANCIENT PHOENICIAN, OR SOMETHING. AND THAT THEIR TIES BETWEEN SPELLS AND MAGIC WOULD BE STRONGER SINCE THEIR WORDS ARE MORE ANCIENT AND FAR OLDER SO THEY'D BE WAY MORE POWERFUL???? SORRY FOR THE CAPS?????
NEVER APOLOGIZE FOR CAPS. PHOENICIAN SPELLS. ARAMAIC SPELLS. LANGUAGES MUGGLES DON’T KNOW ANYMORE THAT HAVE BEEN PRESERVED THROUGH WIZARDING SPELLS IN LITTLE POCKETS OF THE WORLD. SOURCE LANGUAGES NO ONE KNOWS HOW TO ADAPT OR CHANGE ANYMORE BECAUSE THE LANGUAGES HAVE DIED AND PEOPLE ARE AFRAID TO CAUSE LIKE, A NUCLEAR FALLOUT. IM SO EXCITED THANKS FOR THIS.
Before John Green, his general category of realistic (non-fantasy) YA was rife with teen angst and “issues” fiction that you might have associated with the legendary Judy Blume, or with newer writers like Sarah Dessen or Laurie Halse Anderson. Anderson’s classic 1999 novel Speak, about a high schooler struggling to deal with the aftermath of sexual assault, was so influential that three years later Penguin launched an entire imprint named after it. One of the books launched under the behest of Speak was Green’s Looking for Alaska. But it’s Green whose name you’re more likely to know today, not Anderson’s, although Anderson has won more awards and written more books.
On Twitter, Green has 2 million followers. Compared to the rest of the leaders in Young Adult fiction, that number is staggering. To approach even half the Twitter influence of John Green all by himself, you need an entire army of YA women. Anderson, Blume, Dessen, Veronica Roth, Cassandra Clare, Richelle Mead, Margaret Stohl, Kami Garcia, Rainbow Rowell, Maureen Johnson, Malinda Lo, Holly Black, LJ Smith, Ellen Hopkins, Shannon Hale, Lauren Myracle, Libba Bray, Melissa Marr, and Leigh Bardugo: As a group these women only have about 1.2 million followers on Twitter.
That’s the voice of one man outweighing several decades of women who have had major successes, critical acclaim, and cultural influence.